Korean movies has become very popular around the world while being highly evaluated in the International Film Festivals, such as the Cannes, the Venice and the Berlin Festival. However, their sexuality in the films are highly valued in the context of artistic or literary composition. Although having a five-month-baby girl, she has an affair with Kim Ir-Peom Joo Jin-Mo , who was her lover while in college. At that time, her husband, So Ming-ki Choi Min-sik is fired from the bank and stay at home doing housework or taking care of their baby in place of his wife. Bora comes to hate her unreliable husband, which leads her to devote herself into her lover more and more. While selling food or fishing tools to the customers in the daytime, but at night, she sells her body as a prostitute. He comes there to find the place to commit suicide because he killed his girlfriend due to her having love affair with another man.
No.1 Happy End (1999)
Korean directors like Kim Ki-young, Im Sang-soo, Kim Ki-duk and Park Chan-wook obsessively reflect upon sexual themes, and their films often expose disturbing tensions in the national outlook. Yet this dark, destructive story is simultaneously framed—by a nodding-and-winking narrator also played by Kim Jin-kyu—as a cautionary tale for all middle-class households. As such, the film exposes class anxieties in Korea, while also transforming those very anxieties into a self-ironising entertainment. In it was remade—with a new focus on the superrich—by Im Sang-soo. Also directed by Im Sang-soo, this graphic film shows a lawyer Hwang Jung-min and his trophy housewife Moon So-ri both secretly dissatisfied with their supposedly picture-perfect life together, and seeking pleasure from illicit acts of adultery—he with a younger artist Baek Jeong-rim , she with their teenaged neighbour Bong Tae-gyu. No man is an island—and yet as a fugitive Kim Yoo-suk attempts suicide on a hired houseboat, he is interrupted by the mute caretaker Suh Jung , and they embark together on an intense sadomasochistic affair which will engender further jealousy, mutilation and murder. The result is a mannered blend of eros and thanatos, dripping with passion.
Lee Jeok-yo is a 70ish year old man who is a respected poet. He cares fondly for his 30ish year old disciple Seo Ji-woo. The world of these two men are shaken when year-old high school Votes: 1,
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