The Devil's Rejects is a American horror film written and directed by Rob Zombie, and the sequel to his film House of Corpses. The film is centered on the run of three members of the psychopathic antagonist family from the previous film, now seen as villainous protagonists, with Sid Haig, Bill Moseley, and Zombie's wife Sheri Moon Zombie reprising their roles, with Leslie Easterbrook replacing Karen Black as the matriarch. The film was released on July 22, , to minor commercial success and mixed but more positive reviews over its predecessor. At the time of release and in the years since, the film has garnered a cult following.

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See the full list. Title: The Devil's Rejects Two young couples traveling across the backwoods of Texas searching for urban legends of murder end up as prisoners of a bizarre and sadistic backwater family of serial killers. After barely surviving prison, the demented Firefly clan go on the run, unleashing a whole new wave of murder, madness and mayhem. After being committed for 17 years, Michael Myers, now a grown man and still very dangerous, escapes from the mental institution and immediately returns to Haddonfield to find his baby sister, Laurie. Heidi, a radio DJ, is sent a box containing a record - a "gift from the Lords". The sounds within the grooves trigger flashbacks of her town's violent past. Is Heidi going mad, or are the Lords back to take revenge on Salem, Massachusetts?
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The Devil's Rejects
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Here is a gaudy vomitorium of a movie, violent, nauseating and really a pretty good example of its genre. If you are a hardened horror movie fan capable of appreciating skill and wit in the service of the deliberately disgusting, "The Devil's Rejects" may exercise a certain strange charm. If on the other hand you close your eyes if a scene gets icky, here is a movie to see with blinders on, because it starts at icky and descends relentlessly through depraved and nauseating to the embrace of road kill. How can I possibly give "The Devil's Rejects" a favorable review? A kind of heedless zeal transforms its horrors. The movie is not merely disgusting, but has an attitude and a subversive sense of humor. Its actors venture into camp satire, but never seem to know it's funny; their sincerity gives the jokes a kind of solemn gallows cackle.